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Double Indemnity - The Criterion Collection

£29.99

Released: 2nd September 2024. Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this epitome of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features Audio commentary featuring film critic Richard Schickel New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment New conversation between film historians Eddie Muller and Imogen Sara Smith Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder Shadows of Suspense, a 2006 documentary on the making of Double Indemnity Radio adaptations from 1945 and 1950 Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Angelica Jade Bastién New cover by Greg Ruth

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4K Ultra HD Blu-ray

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  • Details

    Released:
    2nd September 2024
    Category:
    Classic
    Studio:
    Criterion Collection
    Format:
    4K Ultra HD Blu-ray
    Barcode:
    5060952892554
  • Description

    Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this epitome of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured.

    4K UHD + BLU-RAY SPECIAL EDITION FEATURES
    • New 4K digital restoration, with uncompressed monaural soundtrack
    • One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features
    • Audio commentary featuring film critic Richard Schickel
    • New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment
    • New conversation between film historians Eddie Muller and Imogen Sara Smith
    • Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder
    • Shadows of Suspense, a 2006 documentary on the making of Double Indemnity
    • Radio adaptations from 1945 and 1950
    • Trailer
    • English subtitles for the deaf and hard of hearing
    • PLUS: An essay by critic Angelica Jade Bastién
    • New cover by Greg Ruth
    Region Code:
    Region B
    Duration:
    108 minutes
    Extras:
    Language(s): English, Hard of Hearing Subtitles: English, Interactive Menu, Screen ratio 1:1.37, Mono, Bonus Footage, Commentary: Richard Schickel (critic), Documentaries: 'Billy, How Did You Do It?' (1992); 'Shadows of Suspense' (2006), Interviews: Noah Isenberg (film scholar), Conversation between Eddie Muller and Imogen Sara Smith (film historians); Radio adaptations from 1945 and 1950; Essay by Angelica Jade Bastien (critic), Trailers
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